Author: Annabelle McInnes
First published with Escape: September 2017
Favourite romance trope: Tortured Hero
Ideal hero (in three words): Alpha, supportive, gentle
Ideal heroine (in three words): Compassionate, brave, curious
Latest book: True Refuge
What began your romance writing career? Why do you write romance?
There is so much beauty when people fall in love. I take great enjoyment from writing these stories, allowing my characters to find their own path and articulating their happy ending. I plot the big elements to my books, but never the small ones. I try not to even think about my characters until I sit down and write. For me, this allows me to get excited about the journey they take me on. I have always read ferociously and across many genres, but romance speaks to me like no other books do. The birth of my son was the catalyst for me to take a risk and start a new manuscript that was focused on the relationships between my characters. That was the first draft of True Refuge. I write romance because I enjoy exploring the precious moments between lovers, where I can tell tales of tenderness and devotion and create happy endings that can be unashamedly enjoyed.
What was the best writing advice you ever received?
I attended Fiona McIntosh’s Commercial Fiction Masterclass in April this year. There were so many small nuggets of information that I found profound, but the most useful was the word count algorithm. Simply put, it’s a mathematical equation to work out how many words you need to write per day to finish your novel. For example, if you are required to write an 80k manuscript and have one year to finish, but can only write three days per week due to family and work commitments, you simply put in the numbers. So, it would look like this:
52 weeks of the year x 3 days = 156
80000 words \ 156 days of the year to write = 512
There you have it, in one year, you will have written 80k and you only had to write 512 words three days per week. Easy right? Of course, this doesn’t take into account a number of factors, including holidays for example. But if you take in it principle and apply it to your requirements, and stick to it, I promise its works! It prevents burn outs, stop and start writing, and helps with writer’s block. This algorithm has been essential to the success of completing my books.
What was your hardest scene to write? Which kind of scenes do you find difficult to write? Which scenes do you enjoy writing the most?
In romance, one of the most important element is the development of the relationship between the characters. For me, the hardest parts to write are the scenes where this plays out physically. Writing these scenes requires focus on many elements. The details of the physical placement of the bodies, the emotion, the tone and the style of writing all play an important part of these scenes. The Refuge Trilogy is a ménage relationship and often has three people intertwined in the act. The scenes must ensure that each character develops emotionally, that their individual’s quirks, mannerisms and physical limitations are detailed appropriately, and finally, that the relationship between the three of them progresses. It is a mammoth task. These scenes are always integral to my story, so the pressure to ensure that they are accurate makes them even harder to write. They are also some of my longest chapters.
But they are my favourite because of many of the same reasons. I relish writing the love that develops between my characters, the importance they place on each other, and highlighting the devotion and dedication that they share for one another. These scenes are often the most beautiful, and I really enjoy letting go with extravagant words for the right moments.
Where is your favourite place to write?
My favourite place to write is at my desk in my study. When I write in the mornings before the family wakes, I am able watch the sun come up and the flowers open to greet the day. Sometimes, the rabbits will hop past as they get their breakfast. It’s quiet, I’m usually not too tired, and the words flow more freely. It’s a beautiful time of day.
What’s the thing about writing that surprised you the most?
I have found the most surprising element to be that I can no longer read for pleasure as much as I used to. The books I read now no longer have swooning couples on the cover, but facts and figures. I spend my nights learning about marketing, branding, web design, the art of writing and advertising. I am inspired by other authors so I still read romance, but I find I can get caught up on their style, prose and plot and it is harder to lose myself in the narrative. My buying habits have changed as well. I am more inclined to take a chance on a new author, buy a book which supports diversity, or is in a sub-genre that I normally wouldn’t read. I also am more inclined to contact an author and let them know how much I enjoyed their book.
Surrounded by the destruction of the human race, Euan, Nick, and Kira find solace in one another, making their underground bunker a haven and a home. Sheltered under layers of steel and cement, they should be safe, but danger isn’t always kept outside — sometimes the enemy is within.
When their electronic warning system detects intruders, Euan and Nick must investigate. Outside, they discover the true terror that is approaching, and Euan must make a terrible decision: stay or go. To stay is to watch the only people he loves perish under the weight of pure evil. To leave is to face his certain death to protect them and potentially save humankind.
Despite all his preparation, skills, and strength, Euan knows that each decision carries the risk that he could destroy them all.